With common Godardian insouciance it’s all filmed in contrasty black-and-white, in and all-around modern Paris, but its enduring charm is The mixture of don’t-treatment larkishness, amiable huge lug Eddie Constantine executing his tricky-guy factor, and also a profound fundamental seriousness drawing cogent connections involving the brutality of fascism and technological https://www.youtube.com/watch?v=Dq3IdUqMXW4&t